Luxurious Couture, Ready-to-Wear & Wedding Dresses | Tony Ward Couture

Some collections tell a story.

This one is different, it translates a presence.

Tony Ward’s Ready-to-Wear FallWinter 2025/26collection isn’t about playing it safe. It actually is far from this.

It’s about contrasts, tension, and finding beauty in duality: Think structured tailoring softened by flowing drapery, deep velvets interrupted by sheer tulles, and metallic accents clashing against ethereal silks.

From bold kaftan-inspired silhouettes to sculpted eveningwear, this collection reimagines power dressing, proving that strength and softness can coexist.

It’s for the woman who owns every room she walks into, whether she’s draped in an embroidered cape or wrapped in a structured blazer with intricate details. She has it in her.

The Art of Duality

Tony Ward’s creations has always been around the tiniest details for the macroscale but this season? It’s all in the contrast of these details that matter.

From the classic kaftan that gets to be refined with structured draping and delicate embroidery, to that effortless flair that doesn’t mean losing sharpness, and a suit, with lace inserts that add a touch of sensuality to its flowing silhouette.

Then comes the sculptural take on fluidity; Strong shoulders define the gown, giving it a fierce architectural presence, but the way the fabric moves keeps it dynamic.

Creations of bold twists in between: a high neckline and soft pleats that create a regal yet effortless aura with some unexpected vibes that blends sleek tailoring with kaftan-inspired ease, embodying power.

A Collection Built on Movement

This season isn’t about static fashion. It’s about clothes that move, breathe, and evolve with her silhouette. Embroidered suits aren’t just sharp—they’re dripping in gold-thread detailing. Midi dresses balance sheer layers with sculpted crepe, proving that seduction and strength aren’t opposites: They are partners.

Fashion with an Edge

Tony Ward’s woman isn’t afraid to take risks, and this collection isn’t about fitting in, it’s about standing out.

From black cut-out gowns that trace the silhouette with silver embroidery to dragon-red crepe gowns that sculpt the body with sheer lace inserts, every piece is built to make an impact.

It’s fashion for the woman who knows that being powerful doesn’t mean being predictable. That femininity isn’t about playing on one -safe- note: It’s about embracing every contradiction, every contrast, and every moment of movement.

With Of Silk and Steel, Tony Ward doesn’t just design clothes, he designs a statement.

And this season, that statement is bolder than ever.