Cannes. Croisette. Couture. Repeat

<p><span style="font-size:small;font-family:'Century Gothic', sans-serif;">Cannes has its rhythm. Flashbulbs, spotlights, and that one slow-motion turn on the Mont&eacute;e des Marches that gets replayed the next morning. </span></p><span style="font-size:small;"></span><p><span style="font-size:small;font-family:'Century Gothic', sans-serif;">For Tony Ward Fashion House, it&rsquo;s a tradition, but never routine. This year at the 78th Cannes Film Festival, the House took the red carpet and the Riviera by storm&hellip;one look at a time.</span></p><span style="font-size:small;"></span><p><span style="font-size:small;font-family:'Century Gothic', sans-serif;">Because the Cannes red carpet isn&rsquo;t just about glam. It&rsquo;s a calendar date we&rsquo;ve been stitching towards for months. Gowns start on paper, then pass through the hands of the magical hands at our Ateliers in Beirut, before circling the globe for fittings, adjustments, and tweaks that no one will ever see, but actually feel in every photo.</span></p><span style="font-size:small;"></span><p><span style="font-size:11.0pt;font-family:'Century Gothic',sans-serif;"><span style="font-size:small;">Let&rsquo;s start with the Cannes opening night. <strong>Paola Turani</strong> stepped out in full sparkle, styled by Francesca Farina in a Tony Ward Couture gown from the <em>Twilight Reverie</em> collection: structure meeting fantasy in a blazer-inspired silhouette layered with crystals and 3D embroidery.</span></span></p>