What’s in a Gown?

<p><span style="font-size:small;font-family:'Century Gothic', sans-serif;">There&rsquo;s a lot that happens before a Tony Ward gown hits the runway. Before the fittings, the photoshoots, the red carpets, it starts with something much quieter: the fabric, their textures, and the story they&rsquo;re meant to tell.</span></p><span style="font-size:small;"></span><p><span style="font-size:small;font-family:'Century Gothic', sans-serif;">In the world of Tony Ward, fabric isn&rsquo;t just a base. It&rsquo;s part of the narrative. Whether it&rsquo;s fluid mousseline that floats like air or a crisp crepe that holds a sculpted shape, each material is chosen not only for how it moves, but for how it feels on the skin, in the moment, in motion.</span></p><span style="font-size:small;"></span><p><span style="font-size:small;font-family:'Century Gothic', sans-serif;">Some of the house favorites? Silk organza, tulle, satin, jacquard, crepe, and muslin; and each used for a specific reason, a specific impact. A voluminous A-line skirt may need layers of organza to build that quiet drama, while a sharply tailored bodice might rely on crepe&rsquo;s clean grip to hold its line. The combinations are architectural, emotional, and intentional.</span></p>